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	<title>Timberati &#187; Writing</title>
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	<description>Reasonably green thoughts</description>
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		<title>Six word memoir</title>
		<link>http://normbenson.com/timberati/2010/02/06/six-word-memoir/</link>
		<comments>http://normbenson.com/timberati/2010/02/06/six-word-memoir/#comments</comments>
		<pubDate>Sat, 06 Feb 2010 17:18:07 +0000</pubDate>
		<dc:creator>Timberati</dc:creator>
				<category><![CDATA[Writing]]></category>
		<category><![CDATA[Writing exercise]]></category>

		<guid isPermaLink="false">http://normbenson.com/timberati/2010/02/06/six-word-memior/</guid>
		<description><![CDATA[<p>Six word memoirs and summations are popular, I tried my hand at my career.</p> <p>Forester: cuts trees, plants and leaves.</p> ]]></description>
			<content:encoded><![CDATA[<p>Six word memoirs and summations are popular, I tried my hand at my career.</p>
<p>Forester: cuts trees, plants and leaves.</p>
]]></content:encoded>
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		<title>Draft #2-Timberati on the Graveyard Shift</title>
		<link>http://normbenson.com/timberati/2009/05/15/draft-2-timberati-on-the-graveyard-shift/</link>
		<comments>http://normbenson.com/timberati/2009/05/15/draft-2-timberati-on-the-graveyard-shift/#comments</comments>
		<pubDate>Fri, 15 May 2009 07:00:12 +0000</pubDate>
		<dc:creator>Timberati</dc:creator>
				<category><![CDATA[Forestry]]></category>
		<category><![CDATA[Life in California]]></category>
		<category><![CDATA[Writing]]></category>
		<category><![CDATA[environment]]></category>
		<category><![CDATA[Forest Practice Enforcement]]></category>
		<category><![CDATA[Lake County]]></category>
		<category><![CDATA[Life as I find it]]></category>
		<category><![CDATA[logger lingo]]></category>

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		<description><![CDATA[<p><span style="font-family: lucida grande;">Lee Lofland over at the <a href="http://www.leelofland.com/wordpress/index.php" target="_blank">Graveyard Shift</a> has asked if I&#8217;d like to do a guest column. Lee&#8217;s a retired detective who&#8217;s &#8220;solved cases in areas including narcotics, homicide, rape, murder-for-hire, robbery, and ritualistic and occult crimes. He worked as an undercover officer for several jurisdictions, and he even spent a few years as a narcotics K-9 handler.&#8221; He&#8217;s written a first-rate book on <a href="http://www.leelofland.com/books.html" target="_blank">Police Procedure and Investigation</a>, that I turn to when I want to make sure I&#8217;m in the ballpark with my descriptions of law enforcement procedures.</span></p> <p><span style="font-family: lucida [...]]]></description>
			<content:encoded><![CDATA[<p><span style="font-family: lucida grande;">Lee Lofland over at the <a href="http://www.leelofland.com/wordpress/index.php" target="_blank">Graveyard Shift</a> has asked if I&#8217;d like to do a guest column. Lee&#8217;s a retired detective who&#8217;s &#8220;solved cases in areas including narcotics, homicide, rape, murder-for-hire, robbery, and ritualistic and occult crimes. He worked as an undercover officer for several jurisdictions, and he even spent a few years as a narcotics K-9 handler.&#8221; He&#8217;s written a first-rate book on <a href="http://www.leelofland.com/books.html" target="_blank">Police Procedure and Investigation</a>, that I turn to when I want to make sure I&#8217;m in the ballpark with my descriptions of law enforcement procedures.</span></p>
<p><span style="font-family: lucida grande;">Below is the second draft. I can use all the comments, suggestions, grammar corrections, etc., that I can get.<span id="more-2013"></span></span></p>
<p><span style="font-family: lucida grande;">Norm Benson is a Registered Professional Forester. During his thirty years for the <a href="http://www.fire.ca.gov/about/about.php" target="_blank">California Department of Forestry and Fire Protection</a> (Cal-Fire), he was manager of <a href="http://boggsmountain.org/" target="_blank">Boggs Mountain State Forest</a>, he coordinated Cal-fire&#8217;s resource management training, enforced the state&#8217;s forest practice laws, and performed &#8220;other duties as required,&#8221; including fighting forest fires. Besides being a Licensed Professional Forester in the state of California, he&#8217;s a retired peace officer. He currently is breaking into freelancing.</span></p>
<h3><span style="font-family: lucida grande;">My Former Beat &#8211; The Dark Woods<br />
</span></h3>
<p><span style="font-family: lucida grande;">In my 35-year career with Cal-Fire, I worked amid the chaos of life and death competitions in which only the strong and cunning survived.</span></p>
<p><a href="http://normbenson.com/images/Norm-01.jpg" title="Me at Boggs Mountain State Forest." rel="lightbox2013"><img title="Norm-01" src="http://normbenson.com/images/Norm-01.jpg" alt="Me at Boggs Mountain State Forest." width="130" height="194" /></a></p>
<p><span style="font-family: lucida grande;">My beat was a place where none gave mercy, a place where none showed remorse, and a place where greed was the norm. Every underling plotted regime change. Some worked to create explosive conditions, and then after the fire, amid the scorched earth, move in, taking advantage of the devastation they helped create. Once in place, they created conditions for more upheaval. Others insinuated themselves into the background while siphoning off resources, biding their time, waiting for those above to die off so then they could take over the top spots. Some poisoned their competitors. And big and small, each used the carcasses of the former inhabitants without regard. And those were just the plants.</span></p>
<p><span style="font-family: lucida grande;">The above description of the forest is true. Each order, family, genus, species, and variety, display survival strategies to perpetuate its kind. Like the climate and weather, nothing in nature remains static.</span></p>
<p><span style="font-family: lucida grande;"><br />
</span></p>
<h3><span style="font-family: lucida grande;">Forester</span></h3>
<p><span style="font-family: lucida grande;">I&#8217;m a forester by trade (and I&#8217;ve yet to find any forester who preferred the term &#8216;forest ranger&#8217;). Forestry combines art and science to grapple with the ecological riddles of our time where the answers are not always clear-cut. Forestry can be dirt simple: you grow trees, you cut trees, you plant trees, all the while trying to mimic nature who is definitely a muthuh. I&#8217;ve planted thousands of seedlings during my life, some grow, some don&#8217;t. Like so much of existence, a trivial decision determines life or death; it all boils down to location-and luck.</span></p>
<p><span style="font-family: lucida grande;"><br />
</span></p>
<h3><span style="font-family: lucida grande;">Cal-Fire </span></h3>
<p><span style="font-family: lucida grande;">I worked as a forester for the California Department of Forestry and Fire Protection (Cal-Fire). Cal-Fire is 90% fire department that suppresses and investigates structure fires and wildland fires, 5% State Fire Marshal, and 5% forestry.</span></p>
<p><span style="font-family: lucida grande;">Most of the foresters in Cal-Fire enforce California&#8217;s</span><span style="font-family: lucida grande;"> </span><span style="font-family: lucida grande;">forest and fire laws</span><span style="font-family: lucida grande;">, </span><span style="font-family: lucida grande;">primarily the <a href="http://www.fire.ca.gov/resource_mgt/downloads/2009_Forest_Practice_Rules_and_Act.pdf" target="_blank">Z&#8217;Berg-Nejedly Forest Practice Act of 1973</a>. Along with CEQA (<a href="http://ceres.ca.gov/ceqa/more/faq.html" target="_blank">California Environmental Quality Act</a>), there is CESA (<a href="http://ceres.ca.gov/wetlands/permitting/cesa_summary.html" target="_blank">California Endangered Species Act</a>), and other <a href="http://www.fire.ca.gov/resource_mgt/resource_mgt_EPRP_EnviromentalProtectionProgram.php" target="_blank">environmental rules, roles, and responsibilities,</a> that must be followed. The Forest Practice Act is the equivalent of CEQA. These laws of man are meant to keep the laws of nature from going too far off the rails.</span></p>
<p><span style="font-family: lucida grande;"><br />
</span></p>
<h3><span style="font-family: lucida grande;">The Byzantine Environment of Environmental Protection<br />
</span></h3>
<p><span style="font-family: lucida grande;">Madison could have been writing about natural resource protection laws when he wrote in the Federalist Papers (1788), “It will be of little avail to the people that laws are made by men of their own choice if the laws be so voluminous that they cannot be read, or so incoherent that they cannot be understood…or undergo such incessant changes that no man, who knows what the law is today, can guess what it will be tomorrow.&#8221;  The rules governing our environment overlap, becoming more complex and more arcane with every new lawsuit. In 1973, the rulebook and a THP could fit in a forester&#8217;s back pocket, now each tome’s size resembles a Michener saga.<br />
</span></p>
<p><span style="font-family: lucida grande;">According to California&#8217;s Public Resources Code, all harvesting on California’s nearly eight million acres of non-federal forestland must have a <a href="http://www.cnps.org/cnps/archive/handbooks/thp.pdf" target="_blank">Timber Harvesting Plan</a> (THP) drawn up and submitted by a <a href="http://www.clfa.org/registered_professional.htm" target="_blank">Registered Professional Forester</a> (RPF). An RPF has at least seven years&#8217; forestry experience and has passed a comprehensive test (only one-third of those who take the test pass). The length of a THP varies, depending on its complexity, from 100 pages to more than 500 pages. The more complex THP can drop a lawyer at close range. The RPF submits the plan to Cal-Fire. Then a team composed of a member from Cal-Fire, Fish and Game, and Water Quality reviews the plan for completeness, clarity, and its impact on the environment. Public comments are added to the review team&#8217;s concerns. Mitigations to concerns are proposed, agreed to, and placed into the THP. (More on the process <a href="http://www.fire.ca.gov/resource_mgt/resource_mgt_forestpractice_thpreviewprocess.php" target="_blank">here</a>.) Cal-Fire&#8217;s Forest Practice Inspectors base all enforcement actions on what is in the approved plan. The Department approves 500 to 1400 THPs each year.</span></p>
<h3><span style="font-family: lucida grande;"> <span style="font-family: lucida grande;"> Enforcement of the THP</span></span></h3>
<p><span style="font-family: lucida grande;">Cal-Fire recognizes that a THP&#8217;s complexity can overwhelm the average logger trying to do a reasonable job and make a buck, so department policy directs inspectors to prevent and deter forest practice violations.</span><span style="font-family: lucida grande;"> The inspector often writes letters and notices to give the logger a chance to fix any fixable omissions or commissions. Only when these prove inadequate does a Forest Practice Inspector write a citation.</span></p>
<p><span style="font-family: lucida grande;"><br />
</span></p>
<h3><span style="font-family: lucida grande;">Offenses are Misdemeanors</span></h3>
<p><span style="font-family: lucida grande;">You may question why foresters checking silviculture, cumulative effects, and esoteric biological arcane need to be peace officers. The rules of evidence collection still apply. And an enforcement action is a confrontation. Additionally, all offenses are misdemeanors (something that requires the state legislature to amend since it&#8217;s in the original act that all violations of the FPA are misdemeanors<sup>1</sup>).</span></p>
<h3><span style="font-family: lucida grande;">Into the Dark Woods</span></h3>
<h3><span style="font-family: lucida grande;"><a href="http://normbenson.com/images/Trees-01.jpg" title="The Dark Woods" rel="lightbox2013"><img title="Trees-01" src="http://normbenson.com/images/Trees-01.jpg" alt="The Dark Woods" width="148" height="196" /></a></span></h3>
<p><span style="font-family: lucida grande;">In 2001, on my first day as the new forest manager of Boggs Mountain Demonstration State Forest, I took a call from a Napa County parole officer. What follows is my recollection:<br />
</span></p>
<p><span style="font-family: lucida grande;">&#8220;I think you may have one of my runaways camping on your forest,&#8221; the officer said. &#8220;A guy who assaulted his father-in-law with a knife and is not supposed to leave the county.&#8221;</span></p>
<p><span style="font-family: lucida grande;">I&#8217;d been out to our small campground and talked with a couple. They and two kids were staying in a tent. I had dutifully filled out a registration. While California State Parks charge for their campsites, camping at Boggs Mountain, and three other state forests, costs nothing and people can stay fourteen days at a stretch. There&#8217;s another name for state forest campers-homeless tweakers.</span></p>
<p><span style="font-family: lucida grande;">I had one camper, a veteran of Grenada, who suffered from PTSD and schizophrenia. He sent faxes to the White House, claiming credit for earthquakes and tornados and threatening to inflict similar plagues upon the White House if they didn&#8217;t repent.</span></p>
<p><span style="font-family: lucida grande;">&#8220;Who are you looking for?&#8221; I asked.</span></p>
<p><span style="font-family: lucida grande;">The parole officer gave me the name. I breathed a sigh of relief. &#8220;Nobody by that name. Only someone by the name of [x].&#8221;</span></p>
<p><span style="font-family: lucida grande;">&#8220;That&#8217;s the girlfriend. His ex-wife got tipped they were staying on Boggs.&#8221;</span></p>
<p><span style="font-family: lucida grande;">I called Lake County Sheriff&#8217;s. They sent up two patrol cars. We met at my office. By now it was quite dark. We agreed I would drive through the campground to reconnoiter. The two units would come in after I confirmed the suspect&#8217;s presence. The tent was there, the car wasn&#8217;t. The deputies staked out the site but the suspect had left.<br />
</span></p>
<p><span style="font-family: lucida grande;">In the Hero&#8217;s Journey, entering the &#8220;woods&#8221; symbolizes leaving the familiar and fully committing to the adventure. This part of the myth is called &#8220;the Initiation.&#8221; It is during the initiation the hero meets allies and enemies. I met both in my work in the forest.</span></p>
<p><span style="font-family: lucida grande;">Next time, we can talk about Cal-Fire, forestry, &#8220;timber beasts,&#8221; &#8220;deadheads,&#8221; &#8220;Section 37,&#8221; &#8220;Scandinavian gunpowder,&#8221; &#8220;wildcat crews,&#8221; &#8220;widowmakers,&#8221; &#8220;bushelers,&#8221; &#8220;catskinners,&#8221; &#8220;gyppos,&#8221; or anything else you like.</span></p>
<p><span style="font-family: lucida grande;">I&#8217;m guessing that all this is in a part of the forest you&#8217;ve never seen.</span></p>
<p><span style="font-family: lucida grande;">1. If you think that&#8217;s crazy, it&#8217;s a felony to steal fifty pounds of walnuts-the farm lobby is big in California.</span></p>
<p><span style="font-family: lucida grande;">Norm&#8217;s website is <a href="http://www.normbenson.com/">http://www.normbenson.com</a>. And you are invited to visit the Timberati blog at <a href="http://www.normbenson.com/timberati/">http://www.normbenson.com/timberati/</a> because forestry combines art and science, and grapples with the ecological riddles of our time; but it&#8217;s also a job.</span></p>
<p><!--more--></p>
<p><span style="font-family: lucida grande;">Well, is it good enough?<br />
</span></p>
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		<title>Conundrum for the Day</title>
		<link>http://normbenson.com/timberati/2009/01/13/my-conundrum-of-the-day/</link>
		<comments>http://normbenson.com/timberati/2009/01/13/my-conundrum-of-the-day/#comments</comments>
		<pubDate>Tue, 13 Jan 2009 23:00:42 +0000</pubDate>
		<dc:creator>Timberati</dc:creator>
				<category><![CDATA[Writing]]></category>

		<guid isPermaLink="false">http://normbenson.com/timberati/?p=858</guid>
		<description><![CDATA[<p><span style="font-family: lucida grande;">I listen to the podcast of National Public Radio&#8217;s <a href="http://www.onlyagame.org/pastshows/2009/01/show-rundown-1-3-2009/" target="_blank">Only A Game</a>. The other day I heard a story about the collecting of stories for <a href="http://blogs.wsj.com/dailyfix/2009/01/02/the-best-sportswriting-of-2008/" target="_blank">The Best Sportswriting of 2008</a>. This set me to wondering, given that, whether we writers mean to or not, we use sexual symbols in our prose (see my previous post &#8211; <em><a href="../2009/01/10/sex-is-always-on-our-minds-i-thought-it-might-just-be-me/" target="_blank">I Think About Baseball When I Write</a></em>), do sportswriters think about <em>sex </em>when they write about baseball? </span></p> ]]></description>
			<content:encoded><![CDATA[<p><span style="font-family: lucida grande;"><big>I listen to the podcast of National Public Radio&#8217;s <a href="http://www.onlyagame.org/pastshows/2009/01/show-rundown-1-3-2009/" target="_blank">Only A Game</a>. The other day I heard a story about the collecting of stories for <a href="http://blogs.wsj.com/dailyfix/2009/01/02/the-best-sportswriting-of-2008/" target="_blank">The Best Sportswriting of 2008</a>. This set me to wondering, given that, whether we writers mean to or not, we use sexual symbols in our prose (see my previous post &#8211; <em><a href="../2009/01/10/sex-is-always-on-our-minds-i-thought-it-might-just-be-me/" target="_blank">I Think About Baseball When I Write</a></em>), do sportswriters think about <em>sex </em>when they write about baseball? </big></span></p>
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		<item>
		<title>I Think About Baseball When I Write</title>
		<link>http://normbenson.com/timberati/2009/01/10/sex-is-always-on-our-minds-i-thought-it-might-just-be-me/</link>
		<comments>http://normbenson.com/timberati/2009/01/10/sex-is-always-on-our-minds-i-thought-it-might-just-be-me/#comments</comments>
		<pubDate>Sat, 10 Jan 2009 08:01:47 +0000</pubDate>
		<dc:creator>Timberati</dc:creator>
				<category><![CDATA[Writing]]></category>

		<guid isPermaLink="false">http://normbenson.com/timberati/?p=756</guid>
		<description><![CDATA[<p><span style="font-family: tahoma;">Crawford Killian has an interesting post about &#8220;<a href="http://crofsblogs.typepad.com/fiction/2009/01/sexual-symbolism-in-fiction.html" target="_blank">Sexual symbolism in fiction</a>&#8220;. </span><span style="font-family: tahoma;"><span style="font-family: tahoma;"><span style="font-family: tahoma;"><span style="font-family: tahoma;">Mr. Killian taught writing (if memory serves, though it might have been English Composition) at Capilano College for forty years and has written several novels. What brought the subject up was he had commented on the <a href="http://crofsblogs.typepad.com/fiction/2008/11/farewell-michae.html" target="_blank">passing of Michael Crichton</a> and how Crichton had been blatant in his use of sexual symbols. A commenter said, basically, &#8220;hogwash.&#8221; The post was his response. </span></span></span></span></p> <p><span style="font-family: tahoma;">I recommend the complete post. I liked his summary:</span></p> [...]]]></description>
			<content:encoded><![CDATA[<p><big><span style="font-family: tahoma;">Crawford Killian has an interesting post about &#8220;<a href="http://crofsblogs.typepad.com/fiction/2009/01/sexual-symbolism-in-fiction.html" target="_blank">Sexual symbolism in fiction</a>&#8220;. </span></big><span style="font-family: tahoma;"><span style="font-family: tahoma;"><big><span style="font-family: tahoma;"><span style="font-family: tahoma;">Mr. Killian taught writing (if memory serves, though it might have been English Composition) at Capilano College for forty years and has written several novels. What brought the subject up was he had commented on the <a href="http://crofsblogs.typepad.com/fiction/2008/11/farewell-michae.html" target="_blank">passing of Michael Crichton</a> and how Crichton had been blatant in his use of sexual symbols. A commenter said, basically, &#8220;hogwash.&#8221; The post was his response.<br />
</span></span></big></span></span></p>
<p><big><span style="font-family: tahoma;">I recommend the complete post. I liked his summary:</span></big></p>
<blockquote><p><big><span style="font-family: tahoma;"><span style="font-family: tahoma;"><span style="font-family: tahoma;">[Y]ou&#8217;re always going to write about sex, whether you intend to or not. Sex is a symbol for the basic human society, what Vonnegut called the &#8220;Republic of Two.&#8221; And the symbols you use—Room 101, a wizard&#8217;s walking-stick, a rose, a 9mm Glock—will tell your readers a lot about your story&#8230;and maybe about you as well.</span></span></span></big></p></blockquote>
<p><big><span style="font-family: tahoma;">It&#8217;s all enough to make Jane Austen blush, or perhaps she knew.</span></big></p>
<p><big><span style="font-family: tahoma;">In other news, <a href="http://borowitzreport.com/" target="_blank">Andy Borowitz</a> asks <em><a href="http://www.thedailybeast.com/blogs-and-stories/2009-01-09/how-big-is-obamas-package/" target="_blank">How Big Is Obama&#8217;s Package?</a></em><br />
</span></big></p>
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		<title>Multiple POV or Head Hop?</title>
		<link>http://normbenson.com/timberati/2009/01/07/multiple-pov-or-head-hop/</link>
		<comments>http://normbenson.com/timberati/2009/01/07/multiple-pov-or-head-hop/#comments</comments>
		<pubDate>Thu, 08 Jan 2009 07:59:22 +0000</pubDate>
		<dc:creator>Timberati</dc:creator>
				<category><![CDATA[Writing]]></category>
		<category><![CDATA[POV]]></category>
		<category><![CDATA[Top Ten Mistakes Newbie Novelists Make]]></category>
		<category><![CDATA[YouWriteOn.com]]></category>

		<guid isPermaLink="false">http://normbenson.com/timberati/?p=672</guid>
		<description><![CDATA[<p>One tenet for writers (besides w<em>rite, write, write</em>) is <em>read, read, read</em>. </p> Read Lousy Stuff and the Great <p>I don&#8217;t recall where I read it, but a published author said (paraphrasing), &#8220;Don&#8217;t just read the great stuff, read lousy stuff too.&#8221;</p> Online Slush &#8211; YouWriteOn.com <p>A couple years ago, I put the first ten thousand words of my story (working title: <em>Timber Beast</em>) on <a href="http://YouWriteOn.com" target="_blank">YouWriteOn.com</a>, a website in which wannabe-published authors upload the beginnings of their stories in order to be noticed. (For a good overview and critique of YouWriteOn.com<a href="http://accrispin.blogspot.com/2008/09/victoria-strauss-5000-writers.html" target="_blank"> go here</a>.) In such [...]]]></description>
			<content:encoded><![CDATA[<p><big>One tenet for writers (besides w<em>rite, write, write</em>) is <em>read, read, read</em>. </big></p>
<h3>Read Lousy Stuff and the Great</h3>
<p><big>I don&#8217;t recall where I read it, but a published author said (paraphrasing), &#8220;Don&#8217;t just read the great stuff, read lousy stuff too.&#8221;</big></p>
<h3>Online Slush &#8211; YouWriteOn.com</h3>
<p><big>A couple years ago, I put the first ten thousand words of my story (working title: <em>Timber Beast</em>) on <a href="http://YouWriteOn.com" target="_blank">YouWriteOn.com</a>, a website in which wannabe-published authors upload the beginnings of their stories in order to be noticed. (For a good overview and critique of YouWriteOn.com<a href="http://accrispin.blogspot.com/2008/09/victoria-strauss-5000-writers.html" target="_blank"> go here</a>.) </big><big>In such online <a href="http://dir.salon.com/story/books/feature/2002/02/25/slush/" target="_blank">slush piles</a></big><big>,you&#8217;ll find loads of manure, compost, chaff, and the very occasional gem. Try it. </big><big>If you want to learn how write better, read other folks’ work and then explain what works and what doesn’t work for you (figuring out why helps you to pinpoint problems in your manuscript).</big></p>
<h3>YouWriteOn Review Criteria</h3>
<p><big>The idea of YWO is to review someone else’s nascent novel and get a credit to have another member review yours. </big><big>The site posts the reviews online for the community to read and comment on. </big><big>YouWriteOn.com has reviewers rate the story, 1 (poor) to 5 (best) on eight criteria:</big></p>
<ul>
<li><big> Characters,</big></li>
<li><big> Story,</big></li>
<li><big> Pace and Structure,</big></li>
<li><big> Use of Language,</big></li>
<li><big> <a href="http://en.wikipedia.org/wiki/Point_of_view_%28literature%29" target="_blank">Narrative voice</a>,</big></li>
<li><big> Dialogue,</big></li>
<li><big> Settings, and</big></li>
<li><big> Themes and Ideas</big></li>
</ul>
<p><big>Each month, the five stories scoring the highest ratings receive professional reviews from editors in the stable associated with the site. </big></p>
<h4>In the <a href="http://normbenson.com/timberati/2008/01/11/reason-10-flat-writing/">Top Ten Mistakes Newbie Novelists</a> &#8220;Head Hopping&#8221; is #2</h4>
<p><big>My critiques would often cite the author&#8217;s use of the &#8216;head-hop.&#8217; I would be ensconced with a character, knowing his thoughts and feelings, and boing&#8230;I would find myself in another character&#8217;s head. Narrative voice affects the reader&#8217;s perception. <a href="http://normbenson.com/timberati/2008/01/15/reason-2-head-hopping/" target="_blank">Head hopping is #2 </a>on the top ten list of mistakes made by newbie novelists.</big></p>
<p><big><a href="http://www.peterselgin.com/" target="_blank">Peter Selgin</a> says, &#8220;Of all the problems plaguing amateur works, none is more common or fatal than mishandling of viewpoint. Typically, the problem results not from a chosen viewpoint being violated, but because no viewpoint has been firmly established to start with, so there is nothing to violate.&#8221; He reduces it down to a simple equation, </big><big>&#8220;NO POINT OF VIEW = NO STORY.&#8221; </big><big>- </big><big> <a href="http://www.writermag.com/wrt/" target="_blank">The Writer, </a></big><big> August 2007.</big></p>
<h4><big>Telepathy, Interpretation, and POV shifts</big></h4>
<p><big>The edittorrent editors discuss multiple POV in <a href="http://edittorrent.blogspot.com/2008/12/telepathy-interpretation-and-pov-shifts.html">Telepathy, interpretation, and POV shifts</a>.<br />
</big></p>
<blockquote><p><big>I suspect that some form of multiple (but controlled) POV will be &#8220;the&#8221; POV of the 21st century, as omniscent was the dominant POV of the 19th C and single POV of the 20th C.<br />
</big></p></blockquote>
<p><big>This doesn&#8217;t mean bouncing around from one head to another in a scene.</big></p>
<blockquote><p><big>Sometimes as I read a passage, I feel ejected, like suddenly I&#8217;m not in Tom&#8217;s mind, I&#8217;m in Joan&#8217;s mind, or dangling helplessly in between. When I go back and read to figure out why, it&#8217;s often actually a deep POV issue, where the writer has Tom interpreting something from the way Joan speaks or behaves&#8230; but because there&#8217;s no &#8220;Tom thought&#8221; in there, it sounds like JOAN.</big></p></blockquote>
<p><big>Edittorrent&#8217;s post on how to handle narrative voice to keep from swatting POV as if it were a Ping-Pong match is worth reading.</big></p>
<h4>When the POV rules don&#8217;t apply</h4>
<p>I’m not here to argue that there aren’t scads of examples of head hopping in the classics. I know there are and I like them. Dickens and Shakespeare rolled around in heads like peas bouncing in and out of coffee cans.<br />
<big>Of course, once you are published,</big><big> making the New York Times bestseller list</big><big> with your</big><big> fast-paced thrillers</big><big> like <a href="http://jamesrollins.com/home.html" target="_blank">James Rollins</a> is, the rules get relaxed and don&#8217;t bind so much.</big></p>
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