Word (or Phrase) of the Year

From the American Dialect Society:

What is the word or phrase which best characterizes the year 2008? What expression most reflects the ideas, events, and themes which have occupied the United States and its residents?

Nominations should be sent to woty@americandialect.org.

The best “word of the year” candidates will be:

—new or newly popular in 2008
—widely or prominently used in 2008
—indicative or reflective of the national discourse

I’m thinking of submitting, “Under the bus.” What do you think? Tell me you didn’t get sick of hearing it during the primaries.

Timberati — Too Big to Fail

From Truthdig:

The Fed and the Treasury are once again throwing good cash after bad business. This time the culprit is Citigroup, which could get bailed out—courtesy of you—to the tune of $100 billion.

And with that, we’d like to announce that Truthdig is officially too big to fail. For a mere $50 billion, we promise never to fly individually in our corporate jets.

I make the same pledge. Timberati is now too big to fail. I will only fly first class, if bailed out.

If it isn’t grown…

Sony prs-700 eBook Reader
Sony prs-700 eBook Reader

I love technological gadgets. I remember getting one of the first electronic handheld calculators in the 1970s. It cost about $100. Soon, Moore’s Law kicked in, the capacity increased and the price decreased, and in a few years places gave calculators away.

Moore’s Law has brought down the cost of electronic gadgets. Cellular phones used to be owned by the rich are now everywhere. Nigerian farmers use mobile phones to find the best price for their produce and many in the third-world use them for banking. Technology increases people’s quality of life. Peasants in Mexico capture sunlight in special fabrics and then can use it to light their shacks at night. I’m typing this article on an AlphaSmart portable, a keyboard with a screen that uses three AA batteries for its power source. The Amazon Kindle eReader that now goes for $359 will come down, if Moore’s Law has anything to do about it.

As the demand for technology increases, there is a need for more stuff used for manufacture. Everything comes from somewhere; that may not be incredibly profound, but you might be surprised how often one might forget that.

Quick–name one part of your computer, personal digital assistant, mobile phone, or e-reader that is grown by a forester or farmer. One part, any part that’s natural. Take your time … I’ll wait.

Bupkes, right?

And, if it isn’t grown, it’s mined (or recycled). And the numbers stagger the imagination.

Each person in the United States requires over 48,000 pounds of minerals each year:

  • 12,428 lb. of stone
  • 9,632 lb. of sand and gravel
  • 940 lb. of cement
  • 276 lb. of clays
  • 400 lb. of salt
  • 302 lb. phosphate rock
  • 639 lb. of nonmetals
  • 425 lb. of iron ore
  • 77 lb. of bauxite (aluminum)
  • 17 lb. of copper
  • 11 lb. of lead
  • 10 lb. of zinc
  • 6 lb. of manganese
  • .0285 T oz. gold
  • 29 lb. of other metals

PLUS:

  • 7,667 lb. petroleum
  • 7,589 lb. coal
  • 6,866 cu ft natural gas
  • 1/3 lb. uranium

Source: Minerals Information Institute

What also staggers the imagination is the size of the mines and the amount of material they move. Check out the mine near Ruth, NV or the one near Salt Lake City, UT.

We talk a lot about our carbon footprint. Usually the discussion revolves around global warming and what comes out of tailpipes. While throwing CO2, methane, and other global warming gasses into our shared sky is profound, worth considering. Yet, it’s our ‘green’ technology which leaves behind carbon sequestered cyanide compounds such as sodium cyanide (NaCN), which really worries me. How technology and cyanide are tied to together is not talked about much. Cyanide is used to separate metals from the wastes.

Let’s consider just one of the metals used in the manufacture of electronics: gold for computer circuit boards.

For “one ounce of gold, miners dig up and haul away 30 tons of rock and sprinkle it with diluted cyanide, which culls the gold from the rock. Before they are through, miners at some of the largest mines move a half million tons of earth a day, pile it in mounds that can rival the Great Pyramids, and drizzle the ore with the poisonous solution for years.” – Behind Gold’s Glitter: Torn Lands and Pointed Questions

After all is said and done. It almost makes clearcuts look much more appealing.

Forests grow back. Metal and oil doesn’t.

Save Trees, Use More Paper

Earlier this year, Kevin Periera of G4 told Marketplace’s Kai Ryssdal, the Amazon Kindle “is the savior to many, many forests in the future.” [Read it here]

As a licensed forester and certified treehugger, I don’t think so.

Trees don’t get cut down when you use electronic stuff, right? Well they may be, forever.

The argument that finding and using alternatives to wood will save trees ignores basic economics. Follow the money. Basic economics teaches the ‘law’ of supply and demand. That is the value of a product is based on its availability and the demand for the product. If people don’t use wood products, more wood is available, and the value (price) of wood falls. The result? More lovely forests? Woodland creatures frolicking contentedly? Not quite. Timber companies sell off their timberland and forests are converted to other uses. Most of the deforestation happening in the world is caused by forests being converted to farming.

The idea that going paperless will save trees is counter-productive. Worse, it may be quite hazardous to our planet’s health. Well, I’m a forester. You’d expect me to say something stupid like that, right? I’m not the only one. There are hidden costs to what is often termed green technology.

Tomorrow, if it’s not grown, it’s mined.

PowerBook We Hardly Knew Ye

Well, my beloved Apple PowerBook G4 died in its sleep (mode) yesterday. And though I had backed up its contents frequently, it takes with it the latest versions/downloads of iTunes, RSS feeds, Word documents, and the only Apple product in the house with which to synchronize the iPod. It is survived by two atavistic cousins–uncool and non-portable PC desktops. It is preceded by  four other and equally atavistic portable notebooks.

Hook 'em Danno

Think about how you are drawn into a book and then the story—especially by an author you’re not familiar with. Perhaps you saw a book review, perhaps you heard how good it was from a friend, or perhaps when you walked into the bookstore (or Costco) you saw the book on a table.

First, you saw the cover’s color and design.

Second, you read the book’s title and it intrigued you.

Third, you checked out the blurbs. Are there any authors or reviewers you respect recommending this book?

Fourth, the last thing you did before putting it in the book bag, you read the first dozen or so words on the first page to see if it hooked you. At its best, the hook reels you into another world, an interesting world. Ray Rhamey, on his Flogging the Quill blog, does yeoman’s work critiquing the first 16 lines of people’s work in progress to see if there’s enough there to compel a reader to turn the page. But, I think, we tend to read what’s on the first page for maybe two seconds. The author (unless he or she is someone you’re comfortable with and you’re buying regardless) better have his game on.

I’d like to know what first lines pulled you in. Here are some of the hooks I like:

“We were somewhere around Barstow on the edge of the desert when the drugs began to take hold.” – Hunter S. Thompson, Fear and Loathing in Las Vegas

“He was tall, about fifty, with darkly handsome, almost sinister features: a neatly trimmed mustache, hair turning silver at the temples, and eyes so black they were like the tinted windows of a sleek limousine—he could see out, but you couldn’t see in.” – John Berendt, Midnight in the Garden of Good and Evil

“The small boys came early to the hanging.” Ken Follett, Pillars of the Earth

“Everybody lies. Cops lies. Lawyers Lie. The victims lie. A trial is a contest of lies. And everyone in the courtroom knows this.” Michael Connelly, The Brass Verdict

“Amoeba leave no fossils.” Tom Robbins, Even Cowgirls Get the Blues

“You think you know how this story is going to end but you don’t. Trust me, I was there. I know.” Christopher Moore, Lamb: The Gospel According to Biff, Christ’s Childhood Pal

“It was love at first sight. The first time Yossarian saw the chaplain he fell madly in love with him.” Joseph Heller, Catch-22.

“One day it occurred to me that it had been many years since the world had been afforded the spectacle of a man adventurous enough to undertake a journey through Europe on foot.” Mark Twain, A Tramp Abroad.

“Okay, so here’s the thing. My mother’s worst fear has come true. I’m a nymphomaniac. I lust after a lot of men. Of course, maybe that’s because I don’t actually have sex with any.” Janet Evanovich, Hot Six.

“As dead people went, Bess Leander smelled pretty good: lavender, sage, and a hint of clove.” Christopher Moore, The Lust Lizard of Melancholy Cove

“The first thing to understand about caddying is that it’s not brain surgery. It is more complicated than that.” Lawrence Donegan, Maybe It Should Have Been a Three Iron: My Year as Caddie for the World’s 438th Best Golfer

“Luther Little drove dead bodies around Seattle the way some people drove pizzas, his primary mission, at least in his own mind, to make delivery before the goods got cold.” Earl Emerson, Catfish Café

“There are two things you can’t escape out here in the west: dust and death.” Steven Hockensmith, Holmes on the Range

“This book is predominantly concerned with making money, and from its pages a reader may learn much about the character and the literary integrity of the authors. Of boggies, however, he will discover next to nothing, since anyone in the possession of a mere moiety of his marbles will readily concede that such creatures could exist only in the minds of children of the sort whose childhoods are spent in wicker baskets, and who grow up to be muggers, dog thieves, and insurance salesmen.” The Harvard Lampoon, Bored of the Rings

Hook ’em Danno

Think about how you are drawn into a book and then the story—especially by an author you’re not familiar with. Perhaps you saw a book review, perhaps you heard how good it was from a friend, or perhaps when you walked into the bookstore (or Costco) you saw the book on a table.

First, you saw the cover’s color and design.

Second, you read the book’s title and it intrigued you.

Third, you checked out the blurbs. Are there any authors or reviewers you respect recommending this book?

Fourth, the last thing you did before putting it in the book bag, you read the first dozen or so words on the first page to see if it hooked you. At its best, the hook reels you into another world, an interesting world. Ray Rhamey, on his Flogging the Quill blog, does yeoman’s work critiquing the first 16 lines of people’s work in progress to see if there’s enough there to compel a reader to turn the page. But, I think, we tend to read what’s on the first page for maybe two seconds. The author (unless he or she is someone you’re comfortable with and you’re buying regardless) better have his game on.

I’d like to know what first lines pulled you in. Here are some of the hooks I like:

“We were somewhere around Barstow on the edge of the desert when the drugs began to take hold.” – Hunter S. Thompson, Fear and Loathing in Las Vegas

“He was tall, about fifty, with darkly handsome, almost sinister features: a neatly trimmed mustache, hair turning silver at the temples, and eyes so black they were like the tinted windows of a sleek limousine—he could see out, but you couldn’t see in.” – John Berendt, Midnight in the Garden of Good and Evil

“The small boys came early to the hanging.” Ken Follett, Pillars of the Earth

“Everybody lies. Cops lies. Lawyers Lie. The victims lie. A trial is a contest of lies. And everyone in the courtroom knows this.” Michael Connelly, The Brass Verdict

“Amoeba leave no fossils.” Tom Robbins, Even Cowgirls Get the Blues

“You think you know how this story is going to end but you don’t. Trust me, I was there. I know.” Christopher Moore, Lamb: The Gospel According to Biff, Christ’s Childhood Pal

“It was love at first sight. The first time Yossarian saw the chaplain he fell madly in love with him.” Joseph Heller, Catch-22.

“One day it occurred to me that it had been many years since the world had been afforded the spectacle of a man adventurous enough to undertake a journey through Europe on foot.” Mark Twain, A Tramp Abroad.

“Okay, so here’s the thing. My mother’s worst fear has come true. I’m a nymphomaniac. I lust after a lot of men. Of course, maybe that’s because I don’t actually have sex with any.” Janet Evanovich, Hot Six.

“As dead people went, Bess Leander smelled pretty good: lavender, sage, and a hint of clove.” Christopher Moore, The Lust Lizard of Melancholy Cove

“The first thing to understand about caddying is that it’s not brain surgery. It is more complicated than that.” Lawrence Donegan, Maybe It Should Have Been a Three Iron: My Year as Caddie for the World’s 438th Best Golfer

“Luther Little drove dead bodies around Seattle the way some people drove pizzas, his primary mission, at least in his own mind, to make delivery before the goods got cold.” Earl Emerson, Catfish Café

“There are two things you can’t escape out here in the west: dust and death.” Steven Hockensmith, Holmes on the Range

“This book is predominantly concerned with making money, and from its pages a reader may learn much about the character and the literary integrity of the authors. Of boggies, however, he will discover next to nothing, since anyone in the possession of a mere moiety of his marbles will readily concede that such creatures could exist only in the minds of children of the sort whose childhoods are spent in wicker baskets, and who grow up to be muggers, dog thieves, and insurance salesmen.” The Harvard Lampoon, Bored of the Rings

I wonder what an electronic book reader would look like if Apple designed it?

I wonder what an electronic book reader would look like if Apple designed it?

Tribes author Seth Godin has an interesting take on free content and the publishing industry:

[Publishers] are not in the printing business. [They are] in the business of leveraging the big ideas authors have.  … The market doesn’t care a whit about maintaining [the publishing] industry. The lesson from Napster and iTunes is that there’s even MORE music than there was before. What got hurt was Tower and the guys in the suits and the unlimited budgets for groupies and drugs. The music will keep coming. Same thing is true with books. So [they] can decide to hassle [their] readers (oh, I mean [their] customers) and [then] decide that a book on a Kindle SHOULD cost $15 because it replaces a $15 book, and if [they] do, we (the readers) will just walk away.

I’m also walking away if a Kindle or eReader costs the same as a notebook. I can buy eight hardcover books at full price for the cost of a Kindle. If there is no price break, then where is the point at which I will recoup the original outlay? With an iPod, I can cheaply load it up with music from CDs, iTunes, and hither and yon.

Easy as ABC

I continue to learn from reading and listening to Eric Witchey. I know I’ve posted his You Tube video before but I glean something new every time I watch it. This time, he helped me grok a scene with my antagonist. That something comes from what he terms the “ABCs” of a scene.

  • Agenda,
  • Backstory,
  • Conflict, and
  • setting (I add senses to this as well)

You’re probably an old hand at writing fiction, if so, this stuff is now embedded in your DNA and the muscle memory of your brain. Not me. I kept having trouble with a scene between the hero and the villain. I finally realized that I had been only looking at the hero’s agenda; what he wanted. His assumption was that he would be fired from his job by the new boss. My previous drafts had been written with the antagonist acting this way. Once I realized the villian had a completely different goal, the scene became less predictable and more interesting (I think). For me, it was an ah ha moment or as a friend of mine calls it, “a blinding flash of the obvious.”

Jack Bickham, in his book Scene and Structure, outlines a scene as:
• Statement of goal (which should relate to the story question)
• Conflict developed in attempt to reach goal
• Failure to reach goal
• Repetition of attempt to reach goal/failure
• Goal reached/not reached
• Twist or tactical disaster

Bickham’s advice is good. The first two points are essentially Agenda and Conflict. Witchey adds Backstory, because that is what underlies the motives of each character, and setting to give the scene sensory depth.

Michael Crichton – storyteller

Crichton wrote Antikythera-like plots
Crichton wrote Antikythera-like plots

Best-selling author Michael Crichton died unexpectedly in Los Angeles Tuesday, November 4, 2008, losing a private battle against cancer. He was 66.

Crichton did not write literature. I cannot name one protagonist, any antagonist from any of his books I read. Yet I couldn’t put them down, okay I didn’t finish Timeline or Prey. Prey was just too creepy. Still, the worlds he created were rooted in some fact and seemed believable. His writing is to literature what McDonalds is to haute cuisine, it fills you up and come away satisfied, if maybe just a little nauseated.

Unlike a Dan Brown story, after reading a Crichton book I had learned something from his Antikythera-like mechanistic cautionary sci-fi tales.

He was, first and foremost, a storyteller.

Obituaries: New York Times; LA Times; The Atlantic