Reason #4 – No Hole in the Soul

The character lacks yearning–the “hole in the soul” Every story is in some way a journey that moves the story’s hero from a place he is comfortable to one that is different from what he is accustomed. It is the trials and troubles that the hero deals with that allow him to see the holeContinue reading “Reason #4 – No Hole in the Soul”

Reason #6 – Beginning with a flashback or dream

Beginning with a flashback or dream I am guilty of this, one of my first beginnings (yes, there was a previous and I’m on iteration seven) started with a FATS (Firearm Training Scenarios) scenario. Only, I didn’t reveal it wasn’t “real” (fictional reality) in the story. The jig was up when the proctor called anContinue reading “Reason #6 – Beginning with a flashback or dream”

Reason #7 – Talking Heads

Talking heads instead of narration According to Jack Bickham, author of Scene and Structure, there are four components to dialogue (CoD): • words that are spoken • attribution—so your readers don’t forget who’s talking • stage action—action, expression, and body language • internalization—thoughts and feelings Too often it’s just the words that are spoken andContinue reading “Reason #7 – Talking Heads”

Reason #8 – Telling

Telling instead of showing “Show don’t tell” is an aphorism often heard in writer’s groups. Anton Chekhov wrote, ‘Don’t tell me the moon is shining; show me the glint of light on broken glass.’ Showing gives information that stands out and is more plausible. It allows us to feel, see, smell what the character isContinue reading “Reason #8 – Telling”

Reason #9 – Lacking Action

Here’s the next in the top ten of new novelist’s pitfalls: Setting and description delivered in large chunks Now you’re going to get my take and memories of what the items mean. The list of Top Ten Pitfalls was read and not handed out or displayed, so any confusion is mine and mine alone. Setting/DescriptionContinue reading “Reason #9 – Lacking Action”

Reason #10 – Flat Writing

I’m taking a community college novel writing course. I wrote down the instructor’s list of Top Ten Mistakes Newbie Novelists Make and thought I’d deliver it like Letterman. Number 10… Flat writing (passive sentences/weak verbs) Passive sentences and weak verbs drain life from writing. I’ve read (and written no doubt) stuff that lacks ‘zaz. EveryContinue reading “Reason #10 – Flat Writing”

2007 Bulwer-Lytton Contest Winners

The Department of English & Comparative Literature at the California State University of San Jose State University has announced the 2007 winners of the Bulwer-Lytton Fiction Contest The winner of 2007 Bulwer-Lytton Fiction Contest is Jim Gleeson, a 47-year-old media technician from Madison, Wisconsin. According to the English Dept’s website, Gleeson is working on aContinue reading “2007 Bulwer-Lytton Contest Winners”

So, what happens next?

In Poetics, Aristotle called plot the “arrangement of incidents.” More informally, plot is “one damn thing after another.” It’s the answer to “what happens next?” In order for a story not to feel episodic, this has to be answered satisfactorily. Even if the next event is thirty years in the future, it has to feelContinue reading “So, what happens next?”